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JAMES BALDWIN

James Baldwin and the 1980s: Witnessing the Reagan Era (University of Illinois Press, 2018)

Rediscovering the iconic writer’s lost decade.

By the 1980s, critics and the public alike considered James Baldwin irrelevant. Yet Baldwin remained an important, prolific writer until his death in 1987. Indeed, his work throughout the decade pushed him into new areas, in particular an expanded interest in the social and psychological consequences of popular culture and mass media.

Joseph Vogel offers the first in-depth look at Baldwin’s dynamic final decade of work. Delving into the writer’s creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin’s sustained grappling with “the great transforming energy” of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women’s and gay rights movements.

Astute and compelling, James Baldwin and the 1980s revives and redeems the final act of a great American writer.

“Clearly and concisely written with a snap in his prose. No one has focused on this era and its unique importance in the way Joseph Vogel has done.”–Ed Pavlic, author of Who Can Afford to Improvise? James Baldwin and Black Music, the Lyric and the Listeners 

“While scholars have started to chip away at the critical consensus that James Baldwin lost his way as a writer after the mid-1960s, very few critics have paid attention to the last decade of the writer’s work. As Vogel argues in this insightful and elegantly written book, Baldwin remained a vital force in American letters.”–Douglas Field, author of All Those Strangers: The Art and Lives of James Baldwin

Articles on James Baldwin

“‘To Crush the Serpent’: James Baldwin, the Religious Right, and the Moral Minority.” James Baldwin Review, 2 (December 2016).

Freaks in the Reagan Era: James Baldwin, the New Pop Cinema, and the American Ideal of Manhood.” The Journal of Popular Culture, 48.3 (June 2015).